Weaned love, Zazie turns the pages of his own book and art directed "Totem", his sixth studio album, available since February 12. A drive engine, loudmouthed and resentment, before the moment of a lifetime. Without makeup or deceit. As a development. To the ear, the debris of snow hugging the heart without the frosting. This season. Most tours, Europe, Asia (Burma, Cambodia ...). Live and Love. Love always. The public this time. Memories. Enough to draw a table. Time to Take Stock. As a step backwards. Remembering the past and will deliver. Music he hears. Totem, that is his name. The picturesque language, the word in the mouth. An enigma to his typed. The meaning eludes us. Not the parts that it suddenly or grubbing. Dark and authentic. How compelling to ignore? Listen instead of talk. Play button pressed. Long before called "Totem", the baby should be called Zazie "Jet Lag", testimony of an artist out of step with the times. In rodeo ground on the back of the world. But Zazie has turned back. Totem therefore welcome, well appointed. The opening takes place in unstable area. "Rails". Tempo bit rock to hip, Zazie unpacks and derailed. "A daughter of the second class has taken my place", "my heart is not big", "life has neither head nor tail". The finding is bitter. "Rails", a first single immersed in the effectiveness (such as album art goes with elsewhere), designed to blast waves. The upset also. "Totem" clearly draws to pessimism. That of a woman who passed Quarantine (Isa-belle was born April 18, 1964 in Boulogne-Billancourt), confesses his fears, his failures Notes: heartbreak, infidelity, difficulties of love. "That," poignant piece, not explained. But this is understandable. Easily. "It is forgetting," "lives that are lurking," Zazie cross to bear. A Totem autobiographical? Undoubtedly. But Zazie is not alone and can be treated. A group therapy, spent with his two cronies Jean-Pierre Pilot and Philippe Paradis, who make up most of the tracks with her, as in the previous album "Rodeo". Sometimes the soul pushcart, sometimes dagger voice, Zazie mixing styles but remains true, it. Efficient. Again. An angel indeed hurt, as discussed in the third title of Totem, the "dreams that fall from the sky", but to the musical well anchored. A soft-spoken, calm, clear as crystal, conveys emotion. The guitar riffs that respond to a battery fat, low crapoter build straight out the basics of rhythm. Peacock feather never failed, the writing does not meet Zazie sheet unnecessarily. Sentences cut, spoken a few times, as in "Na", psychedelic nursery rhyme that has not denied Philippe Katerine. Words that score. Weight and meaning. Thirteen tracks in total. The pieces of a life, (ac) lying on a partition. "Flower Power" still hopeful, "Totem" (title track she wrote and composed only), story to be desired, "I was there," slam powerless in the world that rolls, Zazie scatters everything goes.Some stones were distilled as follows without ever getting lost. Zazie the malignancy. The opportunistic since it also shares the stage with Paolo Nutini, smooth face of just 20 years the voice of sucking Bourbon. The result is called "Duo". Not essential. Note that the record company had a priori thought Lenny Kravitz (and yes ...). Zazie turned his back and chose this young Scottish songwriter young Italian origin, located in the emission Taratata. "Totem" easily fills its role. In (good) Pope of the (very good) French songs, Zazie sculpts a full album, but not complacent with itself. If "I" is another Rimbaud, Zazie it down to his account. And the bears. Assuming one finally. Less electro but more introspective, this sixth album combines perfectly the doubts of a woman and the certainties of an artist. "Totem", you love it .... is an ablum that are discovered with each listen. It clings slower than Rodeo, but it clings harder. the contrast between the different titles is surprising, however, there are at every moment the universe of Zazie. Totally agree. it is true that this album is very good. Not far from his best. Zazie is a great, not only in size. Me, I love this album, however I found that Totem is rather the piece Cochonou most of all ...: D Finally I say this but I say nothing. Zazie plays elbows with the sentiments but lots taller. She sleeps on the paper's most intimate album, the most personal, drawing its inspiration from the journey of life (women's, artistic and emotional) that draws a decade. Love, disillusionment, disorientation, anything goes, especially in poorly, but the delicacy which shows the artist caress the senses. A true writing, without a false note, like the arrangements elsewhere, thought rock but played smart. Zazie flirting with the big album. A beautiful declaration of temper made her fans. ..

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